05.22.08

Be an “I” Instead of a “Me”

Posted in articles, guest blogger, non-fiction, writing resources tagged , , , , , , , , , , , , , , , , , , , at 10:30 am by Elizabeth Melton Parsons

Be an “I” instead of a “Me.”

 

We are tacitly taught that we exist and just are. We have been taught that all people are true to their own genes, environment and nature. We are conditioned to be objects. We are taught to be “Me,” instead of “I.” When you think of yourself as “Me,” you are limited. The “Me” is always limited. When you believe how others (parents, teachers, peers, colleagues, and others) describe you, you become that. You might want to be an artist, but others might tell you that you have no talent, training, or temperament to be an artist. The “Me” will say, “Who do you think you are?” “You are just an ordinary person. There is nothing special about you.”


There is a Japanese masterpiece film IKIRU about the life on an old man that captures the essence of what it means to be a “Me.” Ikiru is a civil servant who has labored in the bureaucracy for thirty years. He determines his self worth by how others see him. He thinks of himself as an object and spends his life preventing things from happening. He is a widower who never remarried, as his relatives told him he was too old and unattractive to remarry. He is the father of an ungrateful son who despises him because he is not rich. He does not strive to better his career as he has been told by his supervisor that he lacks the education and intelligence to be anything more than a clerk. In his mind, he pictures himself as a worthless failure. He walks bent over with a shuffling walk with defeated eyes.

 

When he is told that he has terminable cancer, he looks back over the wasteland of his life, and decides to do something of note. For the first time in his life he became the “I,” the subject of his life.  Against all obstacles, he decided to build a park for poor children in a dirty slum of Tokyo. He had no fear and felt no self-defeating limitations, he ignored his son when his son said he was the laughing stock of the neighborhood, he ignored his neighbors who pitied him and begged him to stop. His supervisor was embarrassed and pretended not to know him. Because he knew he was going to die, he no longer cared what other people thought. For the first time in his life he became free and alive. He worked and worked, seemingly without stopping. He was no longer afraid of anyone, or anything. He no longer had anything to lose, and so in this short time gained everything. Finally, he died, in the snow, swinging on a child’s swing in the park, which he made, singing.

 

Ikiru became the subject of his life. He became joyous instead of miserable; he inspired instead of being indifferent, and he laughed at himself and the world instead of feeling humiliated and defeated. Ikiru “seized the day.”

 

MICHAEL MICHALKO

  

Michael Michalko is one of the most highly-acclaimed creativity experts in the world and author of the best-seller Thinkertoys (A Handbook of Business Creativity), ThinkPak (A Brainstorming Card Deck), and Cracking Creativity (The Secrets of Creative Genius).

 

Michael has provided speeches, workshops, and seminars on fostering creative thinking for clients who range from Fortune 500 corporations, such as DuPont, Kellogg’s, General Electric, Kodak, Microsoft, Exxon, General Motors, Ford, USA, AT&T, Wal-Mart, Gillette, and Hallmark to associations and governmental agencies. In addition to his work in the U.S., Michael speaks and provides workshops in countries around the world.

 

As an officer in the U.S. Army, he organized a team of NATO intelligence specialists and international academics in Frankfurt, Germany to research, collect, and categorize all known inventive-thinking methods. His team applied these methods to various NATO military, political, and economic problems and produced a variety of breakthrough ideas and creative solutions to new and old problems. After leaving government service, he was contracted by the CIA to facilitate think tanks and using his creative-thinking techniques.

                                               

Some of Michael’s creative-thinking techniques that were refined by his government and corporate practice were published in his best-seller Thinkertoys (A Handbook of Business Creativity), which the Wall Street Journal reported “will change the way you think.” Women In Business lauded it as “one of the most important business titles of the decade,” Success magazine described it as a “fun-to-read book which helps you to create and act on ideas,” USA said “believe it or not, this wonderful book will have you challenging the seemingly impossible every day,” Executive Book Summaries praised it by saying, “What we need is a compendium of ways to solve problems. And that’s exactly what you get in Thinkertoys,”and Entrepreneur acclaimed it as “required reading for anyone in business.” The American Management Association called it “the most significant book on creativity published in the last twenty years,”

 

He is also the author of Thinkpak (A Brainstorming Card Set), which is a novel creative-thinking tool that is designed to facilitate brainstorming sessions. Michael’s latest book Cracking Creativity (The Secrets of Creative Geniuses) describes the common thinking strategies creative geniuses have used in the sciences, art, and industry throughout history and shows how we can apply them to become more creative in our business and personal lives.

 

Michael Michalko

Imagineer

165 Percy Road

Churchville, New York 14428

Email: mmichal1@rochester.rr.com

www.creativethinking.net

 

Thank you for being with us today, Michael.

Elizabeth Melton Parsons

http://egparsons.com 

05.18.08

Dealing With Rejection-Everything You Never Wanted To Know

Posted in Novel Writing, articles, writing resources tagged , , , , , , , , at 11:42 am by Elizabeth Melton Parsons

As writers, we’ve all gotten them, those dreaded rejection letters. I had a feedback form on my website a while back where readers could send comments or ask questions. Unfortunately because of spam, I had to remove it. I hated that because it was very popular with visitors and one of the questions I received repeatedly was, “How do I deal with rejection?” We’ve all heard the rumors of famous authors who papered their offices with rejection slips before being ‘discovered’. Whether there’s any truth to the rumors or not, one thing is certain, everyone has gotten rejection letters–even the most famous of writers.

I’ve certainly had my share from both major publishers and small press. Not enough to paper even a small room, but then out of all the books I’ve written, I’ve only submitted two and in the process of submitting one now. Black Rock: A Time For Love was rejected twice before being accepted. Captive Fear was accepted by the first publisher, but there was a problem with the contract, so I received by rights back and decided to publish the book myself on Lulu. To date, I’ve received three rejections for my current manuscript and the full is presently being reviewed by a larger publisher.  

I’ve had poems and articles published in newspapers, magazines, and textbooks, but only received two rejections on that front. The reason for that is simply because I don’t submit. The contracts were offered out of the blue. I went through a three month period where I was submitting a few articles to mags, but these were freebies. (I wouldn’t have been paid) I found it interesting that my submissions were being rejected by magazines who weren’t going to pay me, when I’d been published and paid by others I hadn’t even submitted to. I don’t have time to waste on such nonsense, so I stopped submitting to them. 

Rejection is one thing all writers have in common. It doesn’t matter if you’re rejected thousands of times or only once. It hurts. You sweat and slave over your work, only to have someone basically tell you it’s not good enough. I’ve read hundreds of articles on rejection by both the writers being rejected and the editors or agents sending the rejections. Some were highly amusing, some educational, and some just downright sad. The saddest of all are those written by writers who seem to become totally dejected by rejection letters or those who become outraged by them.

Here’s everything you never wanted to know about dealing with rejection letters.

Number One: If it’s a nicely worded form letter, don’t sweat it and DO NOT TAKE IT PERSONALLY–they either didn’t like your query or they had so many wonderful submissions that day, they had no choice but to eliminate some and you got caught in the fray. Forget it and immediately query someone else. If you’re serious about writing, you’ll have to grow a thick skin. Sorry, but it’s true.

Number Two: Suppose you get a letter that slams not only your manuscript, but you, as a writer and offers no helpful clues on where you went wrong. First of all, be honest with yourself. Is this manuscript truly ready for submissions? Have you had an unbiased and honest critique? If not, get one or two or more. If you get good feedback, situate yourself where you won’t set fire to anything important, light a match and laugh gleefully while you watch the sucker burn. Answering a query with rudeness is unprofessional and probably not an editor you want to deal with. Forget them and query another publisher or agent.

Number Three: You get a rejection letter that gives you some pointers on making your manuscript/story better. Rarely will an editor take the time to offer advice. I don’t care if the editor is rude or nice when doing this…immediately go down on your knees and thank God or whatever entity you believe in for that editor. Then send a grateful thank you off to them. After that, put their advice to good use and go to work on making your manuscript better. Then submit to someone else.

Number Four: If you’re serious about being published, continue to educate yourself, improve your craft, and get used to rejections. It’s all part of being a writer. Even if you’ve been published by a large commercial publisher, there’s always room for improvement and being published once, twice or a dozen times offers no guarantees of never receiving another rejection. It sucks, but it’s a fact.

Number Five: If you’re serious about your dream of being a published author, never give up. Keep submitting.

Elizabeth Melton Parsons

http://egparsons.com

05.08.08

Featured Authors – Guest Bloggers

Posted in New Novels, Novel Writing, articles, book reviews, general fiction, generic post, guest bloggers, non-fiction, poetry, writing resources tagged , , , , , , , , , , at 12:24 pm by Elizabeth Melton Parsons

I’m going to feature a few authors here on my blog from time to time, so if you’re an author with a published book and would like a spot for guest blogging and give your book a little plug…contact me – eragon729 at aol.com. All authors in any genre are welcome–this includes self published authors and poets.

My first guest author will be M. Jean Pike, author of The Winds of Autumn, Waiting For The Rain, and Heatherfield. I’ve read all these and will be giving my reviews of each as a lead in to her guest spot. I’ll post the date for her appearance once it’s finalized.

I’ll also be posting books and blurbs with a link to my reviews of them at Gotta Write Network. I try to keep my reviews positive as well as honest. If I find something off or I just don’t like something, I won’t hesitate to say so. 

That’s what’s coming up. I know you’ll enjoy meeting the authors and hopefully find a few new books to take you away from the ‘real’ world for a just a little while.

 

05.06.08

Sensual – Steamy- Passionate

Posted in New Novels, Novel Writing, articles, generic post, writing resources tagged , , , , , , , at 6:57 pm by Elizabeth Melton Parsons

Check out Sensual! sensual234x60.pngI’m helping to spread the word about the newly redesigned website Sensual. If you like your romance novels on the steamy side, you’ll love this site. It’s full of reviews, interviews, excerpts, information on the newest print and ebooks and lots more. You can even win books and other goodies. So check it out. http://sensual.ecataromance.com
Authors, you can spread the word too! If you’d like a chance to win one of 20 Cover Ads and get a shot at a fabulous grand prize (a 3 Pack of their huge billboard ads – a $100 value!) just repost this blurb on your blog or website. Then stop by Sensual and leave a link to your post. All authors are eligible to enter and win so why in the world wouldn’t you? See their site for more information and official rules: sensual.ecataromance.com/?p=688

 

I’ll see you at Sensual!

Elizabeth

03.29.08

Response to Comment: How To Write A Great Query Letter

Posted in New Novels, Novel Writing, articles, generic post, writing resources tagged , , , , , , at 1:41 pm by Elizabeth Melton Parsons

Thank you Malcolm. I appreciate your comment and the lead to Noah Lukeman’s free e-book, “How To Write A Great Query Letter”. I’ve downloaded and read it–an excellent resource, especially for those new to writing query letters and those of us who have been writing them for years.

A lot of the things he states are obvious and all writers should already know these things, if you don’t…you’d better learn them and quick. I only found one thing in his book that I didn’t know, and that one thing was worth the read. I’ve spent years researching query letter writing and have asked for and received many sample query letters from major publishers on what they want in one. Yet, I’ve never seen or had any mention of this one simple thing from anyone. And I can’t even begin to tell you how annoying that is. So, listen up, people…get this book and read it. It doesn’t cost anything, but a little time. Go to Amazon and download it. It could save you a lot of frustration.

I will admit I was somewhat surprised that this wonderful resource backed up one of the points I made in my previous post about being rejected on the basis of author credentials. It’s infrequent I see this much honesty on that subject.

I do think you misunderstood me, Malcolm. I still do send many queries. I just won’t query the major publishers because of their ridiculous waiting time and wanting exclusive submissions. This brings me to another thing I liked about Mr. Lukeman’s book, his position on playing the ‘waiting game’. I’ve already been doing this with the smaller presses and see no reason why I shouldn’t implement it with all my queries in future, whether to agents or small/large publishers.

Thanks again, Malcolm. Mr. Lukeman’s free book is indeed a great resource. And a big thank you to Mr. Lukeman for offering such a valuable resource free to all.

Elizabeth

http://egparsons.com