12.26.08
Happy New Year!
It’s that time again…seeing the old year out and the new one in. Have you made your New Year’s resolutions yet or have you given them up, as I have? I can remember a time when I wouldn’t dream of welcoming in the new year without making a list of resolutions that I was of course, resolved to keep. You know the old standards…lose a few pounds, eat healthier, exercise more, be kinder, have more patience…….and keep a few I did. Unfortunately most went by the wayside, as life got in the way of good intentions.
Several years ago I made the resolution to finally sit down and write that novel I’d scribbled notes about some time ago and stuffed under my bed. That Monday morning after New Year’s day rolled around and I pulled those hand written notes out, dusted them off and sat down determinedly in front of my pc. Ten minutes later I still sat there…staring at that blank page, wondering whatever possesed me to make such a stupid resolution. Having made it though, I felt obligated to at least try. After a day of much deep sighing and a cramped finger from pushing the backspace key continuously… I had, to my surprise, a good five pages of my novel written. I felt proud. I’d done it.
Fast forward to the next morning. I couldn’t wait to get to that lighted screen and get to work. To my utter dismay, what I’d thought was absolutely brilliant the day before, now seemed so much LESS brilliant. I deleted the entire five pages and doggedly began again, the light of battle shinning brightly in my eyes. No way would this defeat me. I pounded out ten pages, the first chapter. I didn’t read these pages over the next day, simply starting where I’d left off and writing two more chapters, and so it went until I had a first draft. This time I knew it wasn’t going to be brilliant when reading it back. I knew there would be slashing and rewriting and editing, but I’d done it. I’d actually written my first book. And oh, what a feeling of euphoria I had. But I don’t make New Year’s resolutions anymore. They’re probably a good thing for some, but for me–I’m too afraid I’ll have to keep them. Instead I offer a prayer for the heath and happiness of all my friends and family.
This coming New Year’s Eve, I will offer that same prayer for all people far and wide. Have a very safe and happy New Year’s Eve and a healthy, happy and prosperous New Year.
Elizabeth
09.04.08
Romance or Love Story
Have you ever thought about what defines a romance as apposed to a love story? New writers wanting to be published in the field of genre romance ask themselves this question quite often and it’s a hard question to answer. If you’ve written a love story and submit it to one of the many romance publishers out there, it may be rejected just because it doesn’t follow the formula for romance. This is beginning to change to a certain extent, thanks in part to talented authors such as M. Jean Pike. Her recently published novels are love stories published in the romance genre. What exactly is the difference between the two?
Romance follows a very specific formula, which is why it’s necessary for new and established writers to continually come up with fresh, new story ideas. The formula for romance is pretty simple. Boy meets girl, boy loses girl, boy gets girl back, and they live happily ever after. That last part is essential to be accepted by most romance publishers. On many of their sites, it will explain that the happy ending must be there for them to be interested or at the very least the ending must leave the reader with a sense of satisfaction. In between the boy meets girl and the HEA, there can be many different sub plots to move the story along such as mystery, suspense, paranormal, and others. Regardless of the sub genre, the basic formula must remain in order to be called a romance and the developing romance between the hero and heroine should take center stage. The first romance I read, as a young girl, was Jane Eyre. This story follows the exact formula and is still my favorite romance.
A love story doesn’t follow any set formula and doesn’t have to have a HEA. Although, through out the ages there have many love stories that could have been romances if they’d ended differently. Just a couple that comes to mind, Romeo and Juliet and Love Story. All the aspects of a romance are there in those stories, but there isn’t the typical happily ever after ending. Then there’s Wuthering Heights, The Bridges Of Madison County, and Gone With The Wind. Looking at these titles you might assume that a true love story must have a tragic or not so happy ending. Not so. Take for example The Ghost And Mrs. Muir. A lot of people call this a paranormal romance. I think it could go either way since it doesn’t follow the exact formula for a romance, but it does have a satisfying ending. Originally in my newest novel, Black Rock: A Time For Love, the hero and heroine fell in love early in the book and admitted that love to one another. After that it was the outside conflicts that held them apart. According the critiques I received, this was a no-no for a romance. I needed more internal conflict, so I went back and rewrote the entire story. In the long run, did it make the story better? Probably not, but it made it more suitable for the romance genre.
If you’re a writer trying to decide if your manuscript is a genre romance, read what the romance publishers are putting out there, read Jane Eyre or other tried and true romances such as Pride and Prejudice or any other Jane Austin novel. If romance publishers have rejected your manuscript, perhaps you’ve written a love story or a general fiction story instead of a romance. My first novel, Captive Fear was mislabeled a romance, when in actuality it’s a gritty suspense/mystery. There is a romance embedded in the story, but it’s definitely not a typical romance. You will need to define your story in order to query the publishers or agents that are the best fit. Whatever you’ve written, don’t give up–keep submitting until you find the best publisher for it.
©Elizabeth Melton Parsons
08.02.08
Innocent in Death – J. D. Robb
I’ve been reading Nora Roberts for years and have always loved her work, but had never tried one of her books written under the name J. D. Robb. The only reason for that is because I don’t make a habit of buying books published by major publishers, preferring to purchase my reading material from the pool of newbies out there and getting the others from my local library. But I was reading Ms. Roberts and a few other favorites since before they were famous and continue to buy their books on occasion. I did not, however, buy INNOCENT IN DEATH. It was a birthday gift from my son.
As soon as I read the cover blurb, I knew it was right up my alley, so took a day off my own work to indulge myself with a day of reading. I wasn’t disappointed. I couldn’t put it down until I’d finished the last page. Set in future day New York, it’s a crime drama, murder mystery, romantic suspense, all rolled into one, so loving all those genres, I was pretty sure I’d enjoy it. With a strong, intelligent, kick ass heroine and equally interesting and likable hero, it kept me glued to the page.
Lieutenant Eve Dallas is on the hunt for the killer of a school teacher, by all accounts a respectable and well liked young man with no enemies and a devoted wife. There are a more than a few suspects for her to sort through, all more than capable of doing the deed and with opportunity galore. While trying to solve the crime, Eve has to deal with her emotional turmoil at the reappearance of one of husband’s old girlfriends, a woman who seems determined to continue where they left off.
There were a number of secondary characters that I’m sure had appeared earlier in the series, but I wasn’t confused by their reappearance. Ms. Roberts does a bang up job of giving enough information to make them interesting without slowing the pace of the story. I wasn’t sure how I’d like the futuristic aspect of the setting, but it was subtle and I actually enjoyed some of the different lingo. I loved the story, even though I guessed who the killer was way too soon. Making that guess only made me more excited to finish and see if I was right. Having said that, there was one scene in the story that totally turned me off.
Caution–minor spoiler:
When Eve walks in on an intimate moment with her husband and his ex girlfriend, she punches him in the face hard enough to do damage and draw blood, even though she knows the truth about what’s happening. This is followed by rather violent and steamy sex. The steamy sex was okay and at any other time would have had me panting for my hubby to come home, but having followed the punch in the face, it turned me off. I mean come on–if a hero punched the heroine in the face that way, we’d all be up in arms and trying to get a boycott going on the book. As far as I’m concerned, the heroine doing the punching is no different and should not be allowed just because it’s maybe in character. I’m sorry Ms. Roberts, but any punching done by the hero or heroine of a story in the genre of romantic suspense should not be on each other. The scene could have played just as well without that punch.
Elizabeth Melton Parsons
07.11.08
Creating Your Villains
What type of villain do you prefer when reading a story? Would you rather be told up front and center just exactly who the villain is? Or would you rather be kept guessing? My favorite villain is someone who lives a seemingly normal life, a likeable or even lovable character with a dark side.
I love trying to guess who the bad guy is. In genre romance it pretty much goes without saying that there will be a happy ending, but in general fiction endings can be anything and that to me is what keeps the suspense high. You never know who will fall victim to the evil ways of the villain and I’ve read some books where the villain wins in the end. Of course I’m not much of a fan of killing off the good guys in a story, but will admit sometimes I like the surprise of it happening because it’s unexpected. Being a romantic at heart though, I prefer the good guys to prevail.
When creating the villain in your story, think about how far you want to go. Are you writing a genre romance and want to have a happy ending? Do you want to keep his evil activities on the light side? Are you willing to push the envelope and have the villain do things that may offend some readers? Is he/she handsome/beautiful, charming? Or are they ugly and monstrous? Do they have a specific motive for what they do—revenge, an axe to grind, or mentally unstable? Do you want your reader to have empathy for them or just be waiting anxiously for them to get what’s coming to them? Do they have a sense of humor? What is their personality like in every day life when they aren’t being naughty? Give your villains a past that ties into the reason for their villainous activities.
In my book, BLACK ROCK: A TIME FOR LOVE, Bradford Wellman is a villain who has specific reasons for what he does, but I had one reviewer who didn’t understand why he did specific things. On the surface Brad loved his mother. Although he didn’t realize it himself, he also despised her—thought her weak. This caused a loathing disrespect for all women, thus his acts of cruelty towards Roxanne.
Write down all the personality traits that you find appealing and then write down all the ones you find offensive or appalling. Give your villain both good and bad personality traits and you’ll have a better character. Also pay attention to the things you have them do. Is doing a specific thing or crime out of character for them? Just as in real life, not all criminals commit all crimes.
Have fun creating those villains…until next time.
© Elizabeth Melton Parsons
07.07.08
Stormy Monday – Perfect Atmosphere
After my last rant, I was sitting here writing a nice cheerful post. Unfortunately the atmosphere just isn’t conducive to that kind of writing this morning. I should be writing on Night Terror, one of my works in progress. It’s as dark as midnight with sullen thunder, flashes of lightening and torrential downpours. A perfect day for writing horror and suspense. In fact, the weather is exactly like it is in the opening of Night Terror except it’s morning rather than night.
As a writer, I don’t have to have atmosphere to match the subject matter, but it sure helps to inspire that ‘just right’ feeling and saves time. I don’t have to imagine the storm, the eerie light or whatever. My pen flows with the words and emotions of what I’m experiencing. The wind has now picked up in intensity, thunder booming and although I didn’t think it possible, it’s grown even darker.
Marti, in Night Terror is a flawed, tortured character, stalked and hunted–pushed to the edge of reason. She’s like a cornered animal and is about to take that fatal step into the darkness of insanity.
I’m veering away from the romance genre with this one and returning to the writing I love. Hopefully once it’s polished, I’ll find a home for it.
Elizabeth
05.18.08
Dealing With Rejection-Everything You Never Wanted To Know
As writers, we’ve all gotten them, those dreaded rejection letters. I had a feedback form on my website a while back where readers could send comments or ask questions. Unfortunately because of spam, I had to remove it. I hated that because it was very popular with visitors and one of the questions I received repeatedly was, “How do I deal with rejection?” We’ve all heard the rumors of famous authors who papered their offices with rejection slips before being ‘discovered’. Whether there’s any truth to the rumors or not, one thing is certain, everyone has gotten rejection letters–even the most famous of writers.
I’ve certainly had my share from both major publishers and small press. Not enough to paper even a small room, but then out of all the books I’ve written, I’ve only submitted two and in the process of submitting one now. Black Rock: A Time For Love was rejected twice before being accepted. Captive Fear was accepted by the first publisher, but there was a problem with the contract, so I received by rights back and decided to publish the book myself on Lulu. To date, I’ve received three rejections for my current manuscript and the full is presently being reviewed by a larger publisher.
I’ve had poems and articles published in newspapers, magazines, and textbooks, but only received two rejections on that front. The reason for that is simply because I don’t submit. The contracts were offered out of the blue. I went through a three month period where I was submitting a few articles to mags, but these were freebies. (I wouldn’t have been paid) I found it interesting that my submissions were being rejected by magazines who weren’t going to pay me, when I’d been published and paid by others I hadn’t even submitted to. I don’t have time to waste on such nonsense, so I stopped submitting to them.
Rejection is one thing all writers have in common. It doesn’t matter if you’re rejected thousands of times or only once. It hurts. You sweat and slave over your work, only to have someone basically tell you it’s not good enough. I’ve read hundreds of articles on rejection by both the writers being rejected and the editors or agents sending the rejections. Some were highly amusing, some educational, and some just downright sad. The saddest of all are those written by writers who seem to become totally dejected by rejection letters or those who become outraged by them.
Here’s everything you never wanted to know about dealing with rejection letters.
Number One: If it’s a nicely worded form letter, don’t sweat it and DO NOT TAKE IT PERSONALLY–they either didn’t like your query or they had so many wonderful submissions that day, they had no choice but to eliminate some and you got caught in the fray. Forget it and immediately query someone else. If you’re serious about writing, you’ll have to grow a thick skin. Sorry, but it’s true.
Number Two: Suppose you get a letter that slams not only your manuscript, but you, as a writer and offers no helpful clues on where you went wrong. First of all, be honest with yourself. Is this manuscript truly ready for submissions? Have you had an unbiased and honest critique? If not, get one or two or more. If you get good feedback, situate yourself where you won’t set fire to anything important, light a match and laugh gleefully while you watch the sucker burn. Answering a query with rudeness is unprofessional and probably not an editor you want to deal with. Forget them and query another publisher or agent.
Number Three: You get a rejection letter that gives you some pointers on making your manuscript/story better. Rarely will an editor take the time to offer advice. I don’t care if the editor is rude or nice when doing this…immediately go down on your knees and thank God or whatever entity you believe in for that editor. Then send a grateful thank you off to them. After that, put their advice to good use and go to work on making your manuscript better. Then submit to someone else.
Number Four: If you’re serious about being published, continue to educate yourself, improve your craft, and get used to rejections. It’s all part of being a writer. Even if you’ve been published by a large commercial publisher, there’s always room for improvement and being published once, twice or a dozen times offers no guarantees of never receiving another rejection. It sucks, but it’s a fact.
Number Five: If you’re serious about your dream of being a published author, never give up. Keep submitting.
Elizabeth Melton Parsons
Heatherfield – Paranormal Romance

Where her heart is, there will she be also …
Deep in a box of used books, counselor Tory Sasser comes across a novel without an ending: Heatherfield. As she reads the story of scarred war veteran, Jake Benjamin, her tears fall on the pages—and she could swear new words appear where once there was nothing.
But the fictional town of Heatherfield isn’t all it seems, nor is its creator, Destiny Paige. When Tory’s car runs off the road into the mist, she’s transported back to the 1940s—into the novel, trapped by the spirits that govern the place through Destiny. Even more, Tory is caught by the honest warmth and complicated tenderness that is Jake Benjamin. Realizing she’s falling in love with Jake, Tory is desperate to find her way back home to reality. Yet what is more real than true love? No, Heatherfield isn’t all it seems … not at all.
M. Jean Pike has created another must read with her newest paranormal romance, Heatherfield. Her love and extensive knowledge of the 1940’s come to the forefront in this story. The reader feels as though they have been transported back to that lovely era right along with Tory. As with all of Ms. Pike’s books, the writing is both lyrical and literary without losing it’s down to earth and easy style. The author has a true talent for putting words on paper that draw the reader into the story and keeps them there from first page till last. I’ve often said that when I read, I become lost in the story–imagine truly becoming the hero or heroine of a book, your life dictated by the writer wielding the pen. With Heatherfiled’s suspenseful sub plot and beautifully romantic love story, it’s a true treasure that you will want to read again and again.
ISBN: 9780979325281
Available in e-book and paperback. Amazon, Black Lyon Publishing, Your local bookstore.


